by Erica J Brennan
Celebrity Theatre Sports – ImproAustralia
Theatresports can be as unnerving for the audience as it is for the performers. When the actors are inspired and working together as a team it has the potential to be exhilaratingly brilliant and funny. However, if the creative juices aren’t flowing and performers start grabbing for easy laughs it can make for some very painful and egotistical comedy. The Celebrity Theatresports competition, held on July 21 at the Enmore Theatre, was produced by ImproAustralia, a non-for profit NSW organisation dedicated to improvisational performance that are capable of drawing on high calibre Theatresports players, and I immediately knew we were in safe hands. The competition was staged as a charity event with money raising going towards CanTeen, which supports young Australians living with cancer and their families, and so received top marks for both its social and entertainment value. Each team contained a mix of celebrities and experienced players, all of whom were enthusiastic and skilled. The celebrities, including Scott Major, Andrew O’Keefe, Adam Spencer, Claire Hooper and Dan Ilic, seemed eager to play and the energy of all on stage carried the audience along for a fun and exciting night. Despite occasionally patchy sound from the players that weren’t mic’ed, the production flowed beautifully and made for a very slick event.
Each game flowed joyously on to the next, gathering momentum and laughs along the way. Some teams were particularly dynamic and in tune with each other, and it was no surprise that these ones made it to the end of the competition. There were many fabulous moments, particularly a jungle safari delivered in another language, an attack of buffalos and sunflowers and a Stone Age love story. The crowning moment of the evening was a Belvoir-styled Shakespearean performance that prompted all the men to appear in their underwear, with one fabulous celebrity upping them by going topless, her hands crossed cheekily over her torso.
Overall, it was a charming and effortless evening of live performance. I know I would willingly come back every week to watch these talented individuals, as there is nothing more wonderful than feeling you are included in a group of adults who are willing to be silly and play.
More information on Impro Australia and Theatresports competitions can be found at www.improaustralia.com.au
Mon Sans Productions is casting for 3 roles.
1 female and 2 males aged between 17-20 years. Everyone is encouraged to apply. Different backgrounds, looks and sizes.
Auditions are on the 6th and 13th of August at the Powerhouse Youth Theatre, Fairfield.
Performance dates: 10th-15th of December at the Reginald Theatre, Seymour Centre.
You can apply directly on StarNow or send your headshot/C.V to firstname.lastname@example.org
Dog Sees God: Confessions of a Teenage Blockhead – NSW
Searching for 3 dedicated and daring actors between 17 and 20 years
Impro Australia and Marko Mustac have a limited number of free double passes for Shownews subscribers and Friends of Watchdog to… Quiet Companions/The Bryce is Right at the New Theatre in Newtown all this week; AND
The Sydney Impro Festival all next week at the same venue.
Quiet Companions – starring Lyn Pierse and Marko Mustac – is an engrossing mix of drama and improvisation that eavesdrops on the game-playing of a decadent Victorian couple.
The Bryce is Right features award-winning cabaret artist Bryce Halliday telling – in song and sketch – the stories of history’s most obsessed and wrong individuals!
They play as a double bill from 8pm nightly 25th-28th of July at the New Theatre – 542 King Street, Newtown.
Tickets are $28 (conc $25) More info and bookings online at www.newtheatre.org.au or 1300 131 188
The Sydney Impro Festival is a week of comic capers in Newtown!
The best and funniest comic improvisers present a week of their greatest hits from Tuesday 31 Julyat Newtown’s New Theatre!
Featuring seven different shows – some of them two per night – the legends of Theatresports™ and its hilarious spin-off shows come together for a week of made-up mayhem!
From The Whole Story ‘long-form’ impro to the wacky WW2 ‘epic’ comedy of Churchill’s Unmentionables; Shakespearean-styled comedy in Bard to the Bone to the creative chaos of The Director’s Mind, Puppets versus People and the bizarre Lab-rinth which improvises the classic David Bowie movie. Plus the ultimate competitive challenge: the Theatresports Cup-Winners’ Cup– a playoff between the current holders of the Cranston Cup, The Scared Scriptless Cup, the Sydney University Theatresports Cup and the recent NSW High Schools’ Theatresports Championships.IMPRO THEATRE FESTIVAL – produced by Impro Australia plays at The New Theatre, 542 King Street Newtown
Tuesday to Saturday July 31 – August 4 at 8.00PM Tickets Adult $28 Concession $22 Bookings1300 131 188 (+ booking fee) or online
More info and bookings at www.newtheatre.org.au or 1300 131 188
To win a double pass to either show (and your choice of performance), emailwin stating your choice of performance. Winners will be notified by return email.
Text-Only, <a href="mailto:theatre_junkies-digest
|FORM is very excited to be presenting the premiere season of De Quincey Co’s FRAMED featuring Tess de Quincey and Victoria Hunt in this new instalment in the acclaimed “Embrace” series. This is the performers first duet drawing on a 13 year history of working together which included an original 3 month residency inKolkata, India. Tess de Quncey says” “Victoria brings potent discoveries from her Maori cultural identity. It’s an opportunity to dive into the world of emotion and negotiate each moment, uncovering the micro-signals that erupt from the depths of our being. It seems to me that it is these micro-signals that make up the fabric of our lives.”
Lennox Theatre, Riverside, Parramatta
BOOKINGS: 8839 3399
Or book online here:
****TICKET BLITZ!!!! BOOK NOW!!!!****
They say the meek shall inherit!
Book your tickets NOW for our next production ‘Little Shop of Horrors’ and receive 25 percent off your purchase! Hurry though, this is a strictly limited offer and will be available for a VERY limited time!! So what are you waiting for book now at shiremusictheatre.org.au or call the box office booking line on 0458 642 553!
You will need the booking code: "MEEK"
Feel free to share this code with your friends who might also want to book tickets!
(And don’t forget to join the event page to win a photo shoot with the cast)
By Sarah Malcher
On Saturday night I had the opportunity to see and hear The Metropolitan Orchestra (TMO) performing at the Balmain Town Hall. This was my first experience of TMO, and as they performed series four in their current season, I regretted that I had missed the first four series earlier in the year.
For those who are unfamiliar with TMO, it is the new incarnation of the Metropolitan Chamber Orchestra, which was launched in 2009. They cite one of their main philosophies as seeking to break down ‘traditional barriers’ that keep people away from classical music concerts, and focus on making their performances both accessible and intimate. By staging the performance in smaller venues such as Balmain Town Hall, where the ratio of orchestra members to audience is much smaller, they succeed in establishing a relationship with the audience that is often lacking in larger, more formal venues. During the intermission, the musicians mingled with their listeners and afterwards everyone was invited to share post-concert drinks of champagne. Such ways of enacting their philosophy, which encourages people not only to listen to classical music but to share their ideas and thoughts about music, is what distinguishes TMO and is one of the reasons why I think they deserve to succeed in their mission.
The program itself was enjoyable, both for the audience and the orchestra who clearly loved what they were playing. Throughout the night, conductor and artistic director, Sarah-Grace Williams, confidently led the orchestra and took the audience along with her for a delightful evening of beautiful music. Saint-Saëns’ Tarantella was a fantastic opening piece to capture the audience’s imagination, and both Svetlana Yaroslavksaya on flute and David Rowden on clarinet played with assurance and expressiveness. Brahms’ Serenade no 1 in D major was also handled well, although the standout for the night was the performance of Vaughan Williams’ Fantasia on a Theme by Thomas Tallis. Building of the ghostly ‘halo’ effect of the William’s composition was achieved through the separation of the strings into sections that build upon and echo the theme, with these string sections physically separated and placed around the room with the audience between them, creating a surround sound experience not usually encountered in more conventional performance spaces. Considering that the work was composed to be played and heard best in a cathedral, the acoustics of the Town Hall served the music well.
The only thing that really detracted from the night was the lack of heating in the venue itself. Fortunately, most people including myself came prepared with scarves and coats, and slightly chill air is a small price to pay for such an intimate concert experience. I will definitely be attending the performances of series 5, and encourage everyone to experience this format of musical performance at least once. I suspect that once will not be enough.
For more information, visit http://www.metorchestra.com.au/
It’s only ONE WEEK TO GO until QUIET COMPANIONS opens at the New Theatre in Newtown.
LYN PIERSE and MARKO MUSTAC perform in this seriously dark and experimental improvised theatre show about the power of the past to haunt us. Two decadent Victorian aristocrats, alone together in a private salon, indulge in an increasingly twisted ritual of games that peel back the layers of civilisation and expose the nightmarish, psychological country that lies beneath.
And it’s a DOUBLE FEATURE! After interval you get to relax with last year’s winner of the Showcase Award at the 9th Annual Cabaret Showcases, BRYCE HALLIDAY (the pianist for Quiet Companions) and his new one-man show THE BRYCE IS RIGHT! A musical journey about ‘what it is to be right’ through story-telling, jokes, jazz standards and his own original songs.