Lane Cove Theatre Company
Directed by Dan Graham
Lane Cove Uniting Church
Cox’s Lane Activities Room. Corner of Cox’s Lane and Finlayson Street, Lane Cove.
To book an audition time please contact lanecovetheatre
Please ensure that you have read the play and are familiar with the script.
Prepare a suitable 2 min monologue and read the audition passages on our website atwww.lanecovetheatrecpmpany.com (under the auditions tab). If you have any problems downloading these passages please advise us so they can be sent to you in email form.
You will be asked to read from these passages so be familiar with them.
Reverend Parris: mid 40s. A widower with little understanding of children. Before entering the ministry, Parris was a merchant in Barbados, and his ministry still bears signs of his business background.
Betty Parris: Parris’s young daughter, whose illness sparks the action of the play.
Tituba: F, 40s. Parris’s servant, brought back from Barbados.
Abigail Williams: late teens, an orphan, living with Rev. Parris, who is her uncle. Older than Betty, and able to influence the other girls.
Susanna Walcott: teenager, younger than Abigail, and easily led by her, Susanna is a nervous girl. She works for the local doctor, Dr Briggs.
Ann Putnam: married to Thomas Putnam, an influential family in Salem. But of eight children born to her, only one daughter has survived, and she is jealous of Rebecca’s large family.
Thomas Putnam: the eldest son of the richest man in the village, and with a high opinion of his own intellect. Married to Ann.
Mercy Lewis: Miller describes her as “merciless”. She is the Putnam’s servant. Late teens.
Mary Warren: late teens. The Proctor’s servant. Naïve and subservient, she is easily swayed by Abigail.
John Proctor: a hard working farmer in his thirties. Well respected in Salem and not easily influenced by others.
Rebecca Nurse: early 70s. Held in very high regard in the village, Rebecca is gentle and kind. She has eleven children and twenty six grandchildren!
Giles Corey: a farmer in his early eighties, and going deaf, Giles is nevertheless a determined protector of his rights and property; to which end he has been in court six times during the year.
Reverend John Hale: nearly 40; he is confident in his abilities as a specialist in ascertaining witchcraft, which he has studied in detail.
Elizabeth Proctor: wife of John, she is “not wholly well”, perhaps since the birth of their third child.
Francis Nurse: Husband of Rebecca, whom he tries to protect when she is accused of witchcraft.
Ezekiel Cheever: Ezekiel is employed as a court official.
Marshal Herrick: is also employed by the court, but he is uncomfortable about some of the things he is expected to do.
Judge Hathorne: a lawyer from Boston, who is employed as the prosecutor.
Deputy Governor Danforth: confident and determined that the law must be upheld, even at the risk of obscuring the truth.
Sarah Good: a poor, confused beggar who is accused of witchcraft.
Hopkins: a messenger.
Celebrating the 60th Anniversary of its first staged production, Miller’s exquisite American tragedy is more relevant today than it ever was. A classic parable of mass hysteria, The Crucible draws a chilling parallel between the Salem witch-hunt of 1692 – ‘one of the strangest and most awful chapters in human history’ – and the McCarthyism which gripped America in the 1950s. The story of how the small community of Salem is stirred into madness by superstition, paranoia and malice, culminating in a violent climax, is a savage attack on the evils of mindless persecution and the terrifying power of false accusations. A searing tale of belonging, intolerance, and moral courage that is destined to resonate for centuries to come. Winner of the 1953 Tony Award for Best Play.
This production will be staged from 17 May – 1 June 2013
For further enquiries or to book an audition time please email us atlanecovetheatre
Dear artists, friends, supporters of Short+Sweet and Sydney lovers of theatre!!
Festival Director Pete Malicki says the Open Dress Rehearsal of Short+Sweet Sydney 2013, Top 80 Week 1 was held last night and the show is looking fantastic. There’s a real mix of genres, styles, subject matter – comedies and drama, a company all the way from India presenting a multi-award-winning (and very engaging!) play, a choreographed satire on the life of a Coles checkout operator, the winner of Short+Sweet Dubbo, a monologue about living with big boobs, a play directed by screen director and teacher Stephen Wallace and a host of other quality works.
There are still plenty of seats left for any show this week – including tonight‘s Opening Night – so come along and see how we’re doing it this year. Tickets available for any Short+Sweet show here:
The media is full of talk about the festival… so pick up on the buzz and come on down to King Street Theatre in Newtown!
MEDIA RELEASE: MONDAY 7 JANUARY 2013
THE SMALL POPPIES
By David Holman
Regrettably, due to cast illness, we have had to postpone the opening of our season of THE SMALL POPPIES.
The new cast is: Nick Atkin, Danielle Baynes, Daniel Csutkai, Sarah Hansen, Ben Hunter and Rosie Lourde
The updated production information is as follows:
Season: 17 – 26 January [all previously advertised performances prior to this date are now cancelled]
Opening Night: THURSDAY 17 JANUARY @ 7PM. Please let me know if you would like review tickets and I will be happy to accommodate you at either opening night or a performance of your choice.
Tickets: Full $22, Concession $17, Family (group of 4) $60, PreviewThursday 17 January @ 2pm $17
Riverside Lyric Ensemble is thrilled to announce our audition dates for EDUCATING RITA to be performed at the Parramatta Riverside Theatres in March.
Venue: North Rocks Guide Hall
Baden Powell Place, North Rocks
Full information and packs will be posted on our website for your convenience. www.rle.org.au.
Or you can check out the event and audition pack (in the files) on the Riverside Lyric Ensemble Facebook page.
Please read through the audition pack, making sure to check the draft rehearsal schedule and performance dates.
To book an audition
Fill out the audition form and email it, along with a recent headshot to Debbie Smithdbszebra
Alternatively you may phone me on 0437 937 802 to book an audition, and bring your completed form and headshot with you on the audition evening.
At the moment, we are accepting EOIs for our 2013 season, and in particular are seeking a director for our May/June production of ‘The Shoe-horn Sonata’. We are also taking EOIs for our October/November production of ‘West Side Story’.
If interested, please prepare a written proposal outlining your vision for the production, and detailing your previous experience. All EOIs should be directed to RLE President, Carol Lutz:president
Please post this amended version.
The time has changed.
If anyone has, or knows of a wheelchair which I can borrow for a Short and Sweet production, I’d be eternally grateful.
The show is on in mid-January in Sydney… if I can get some practise time with it before-hand, that would be best.
Please write to Bryan at email@example.com.
Auditions will be held in Early December for Berowra Musical Society’s 2013 production of Man of La Mancha.
Rehearsals will commence late January 2013, on Monday and Thursday nights at Berowra Community Centre, and the shows will be in May, at the same venue.
For dates and full details, go to www.bmsi.org.au.
Narnia is the musical adaptation of the beloved children’s classic ‘The Lion, The Witch and The Wardrobe,’ with all its memorable animal, mythological and horrible characters which the four Pevensie children meet such as Mr Tumnus, Mr & Mrs Beaver, The White Witch and of course Aslan.
The script is its own original condensed version of the novel, bookmarked by the Professor Kirk’s Manor and the adventure of the four children into the world of Narnia in between, expanding on the themes, character’s motivations and relationships that author CS Lewis so well presented.
It contains a great scope for imagination in its set, lighting and costume design, magically transforming the ‘spare room’ into a forest, capturing the love Mr Tumnus had for the former summer days, asking the audience to witness the miraculous arrival of Spring and celebrating the freeing of the Witch’s frozen prisoners.
The show’s simple and elegant score, written primarily for children’s theatre, asks you to engage your imagination with “Doors and Windows,” and embrace destiny with “All Of These” but not to get too “Hot and Bothered”, rather welcome honesty “From the Inside Out,” and be deeply moved in “A Field of Flowers,” all while sinking your teeth into “Turkish Delight.”
Where you know the musical or not, if you love the story of The Lion, the Witch and the Wardrobe, and have ever wanted to visit Narnia, we would love to see you audition this week.
If you would like to contact the Production Team, get further information or get access to the audition material, please click here: http://narnia.eucms.org.au/
Clare Burgess – Director