FREE TICKETS! Korean hit at Fringe TONIGHT! The Drawing Show’s”THE LOOK”

Sydney Fringe and Watchdog Shownews Special!

Free double passes to

The Drawing Show: "The Look"

We have free double passes to give away to win stating your name and which performance you’d like! Now read on…
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The world’s first non-verbal arts performance where live drawing techniques meet with special effects. This show, showcasing an exquisite combination of arts and performance produced by Korean director, KIM JIN GYU, has arrived Sydney for premieres of the episode ‘The Look’; featuring three ‘Looks’, a group of extraterrestrial creatures!!

In this performance, it’s a ‘Classic meets the Modern’ and ‘East-meets-West’ theme.

‘The Look’ tells the story of three extraterrestrial creatures, the first of whom creates art with a puff, the second who always finds himself in trouble, and the third who is a marvelous dancer. These aliens, collectively named ‘The Look’, have landed on earth by an accident during their flight through space from the Drawing World. This episode will cover their story on earth, as they communicate with earthlings with body language and art – their favorite pastime.

Characters

-The ‘Romanticist’ Look: Despite his tough experience, this Look’s a softie. He loves earthlings so tries to befriend them, but it doesn’t always work out.

-The ‘Simple-minded’ Look: This mischievous look loves to play tricks on earthlings. However, his quick wits earn him much popularity among the earthlings.

-The ‘Don’t give up’ Look: A Look who wears a box over his head. He’s often excluded by the other Looks, but sees many things that are invisible to earthlings.

Fri 21 Sep, 8:00 PM
Sat 22 Sep, 7:00 PM
Sun 23 Sep, 3:00 PM
The Italian Forum Theatre, Norton Street Leichhardt
Adult: $30 Concession: $27
Duration: 60 Minutes

Free double passes to Beauty and the Beast this wed and thurs

Free tickets! You have a chance to win a free double pass for this Wed (opening night!) and Thurs night blockbuster performances of Miranda Musical Society’s “Beauty and the Beast” at Sutherland Entertainment Centre. Sensational… A tale as old as time!

To win email geoff@watchdog.com.au. For more info, visit http://mirandamusicalsociety.com.au

Review: The Metropolitan Orchestra, MET Series 5

By Cameron

Tonight Sarah and I attended another wonderful performance of the Metropolitan Orchestra (TMO), performing this time at The Independent Theatre in North Sydney. The performance was MET Series Five, conducted again by Sarah-Grace Williams.

Having so thoroughly enjoyed ourselves when we attended the last performance at Balmain Town Hall, we were quite excited about what was in store, as well as the opportunity to hear the orchestra in a more conventional theatre venue.

The program began with the premiere of a work by Australian composer, David Montgomery, who was also present and serving as presenter for the evening. The piece, entitled ‘Air and the Void’, was inspired by the elemental concepts behind Eastern philosophy, as specifically detailed in the famous Japanese swordsman’s text ‘The Book of the Five Rings’. Montgomery opened with an explanation of the personal connection to the element of the void, and how the piece was dedicated to his father and the apparent readiness and peace with which he left his life and entered ‘the void’.

Following such a personal introduction, the piece that followed was captivating. A complex arrangement of percussion opened to establish an ethereal location for the soul’s journey that followed, personified by a solo violin and played ably by Sarah Ash. I was so caught up in the storytelling of the music, and the relationship between the soloist and the orchestra, that many of the technical details slipped by me, and I’m hoping to find a repeat performance or recording on offer soon as I feel there are many layers yet to be explored within Montgomery’s wonderful composition.
The second piece for the night was Camille Saint-Saens ‘Cello Concerto No. 1 in A minor, Op. 33’, with Patrick Murphy playing the solo cello. Watching the casual grace with which Murphy played (I want to say ‘attacked’) the playful and often fast paced melody, engaging in a call-and-response with the orchestra while at times seeming trapped, only to escape again – the music and Murphy’s dynamic performance style created a sense of drama on stage that saw the three integrated movements of the piece fly by to their even-more dramatic ending.

After interval, the final piece was Felix Mendelssohn’s ‘Symphony No. 1 in C Minor, Op. 11’. This piece, which was composed by Mendelssohn at the age of 15, was his first full orchestral symphony having written 12 symphonies for strings, as well as several other works, in the previous 3 years! Commanding this four-part work was where conductor Sarah-Grace Williams’ shone, leading the orchestra through the four movements with an energy and precision that was at times as dramatic to watch as Murphy’s cello playing.

Again the orchestra stayed to mingle with the crowd after the event, highlighting one of the great strengths of the Met. Orchestra, and a key part of their goal of breaking down the barriers between classical music and audiences, which is their willingness to engage with their audiences and make the people behind the instruments accessible, so that questions about the music can be addressed in a welcoming environment.

It was another outstanding night of live performance, and once again we look forward to their next show and wish the Metropolitan Orchestra every success in their future.
There is one more performance of MET series five on Sunday 16/09 at the Balmain Town Hall. For more information visit www.metorchestra.com.au

Review: The Cardboard Cartel – part of the Sydney Fringe Festival

By Cameron

Tonight I went to see ‘The Cardboard Cartel’, a sketch comedy show offered up as part of the Sydney Fringe festival.

The marketing for the show had been quite deliberately and deliciously ambiguous, with little more information than the fact it was a sketch comedy show coupled with absurdist ravings about various small animals. Given that sketch comedy as a medium can often be a hit-or-miss affair, not knowing more could be a cause for apprehension because even when done well, Sketch comedy has such a broad range of subjective appeal, yet when done poorly can be an excruciating experience.

The Cardboard Cartel was, to my mind, one of the best nights of sketch comedy I’ve seen in a very long time. Its routines, while engaging in the usual situational humour, offered a series of recurring characters whose individual sketches offered everything from comic critiques of Sydney’s social elite to broad stereotypes that exposed the hypocrisy within many a do-gooder. The mix of relatively topical characters, and more tried-and-tested comic archetypes kept the show flowing nicely between scenes, taking increasingly familiar characters to new and interesting places.

Like all sketch comedy, it had some hits and some misses. It did sometimes lean a little heavily on racial stereotypes and U.S. cultural images, but did so in a self-deprecating way. There was a lot of swearing at some points, but it came across as the product of ad-libbing on stage rather than being gratuitously scripted. Despite all that, for me the real strength of The Cardboard Cartel was the sense of narrative built up around some of the key characters, progressing through serial sketches towards a finale that not only brought them all together, but brought me to tears.

The only real drawback to the night was the venue. I’m all in favour of enterprising new venues offering a space for new works to be shown and tested, but there are a few necessities that even the smallest venue requires, such as a way of identifying when you patrons are locked outside on the street! Also, if going to this venue, make sure you leave that little bit of extra time to find parking.

Thankfully the comedic chops of the four writers/performers that comprise The Cardboard Cartel more than overcame the deficiencies of their environment and put on a show that was a bit absurd, a bit edgy, but all hilarious.

If its not too late, click here to get on the fringe website and buy tickets for one of the two remaining shows of The Cardboard Cartel, and whether you love it or hate it, there’s a pub right next door to help you carry on or drown those feelings.

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SIO Rossini’s comic opera The Silken Ladder

Rossini’s comic opera The Silken Ladder.

Sydney Independent Opera’s 2012 season continues with two performances of one of Rossini’s early gems: The Silken Ladder. This work is one of five comedies that Rossini wrote to establish his credentials: one-act operas with a small cast, no chorus and a light plot anchored by romantic misunderstanding. The Silken Ladder is a ‘French farce’, complete with an over-protective guardian and lovers hiding behind room dividers and racing up and down the ladder of silk that grants access to the leading lady’s bedroom.

The plot revolves around Julia and Dorville who have secretly married against her aunt’s wishes, and who only get together at midnight when he climbs the ladder. It is a situation thrown into turmoil with the arrival of the suave suitor Blansac chosen by Julia’s aunt Montdor and Julia attempts to get out of her predicament by encouraging Blansac to fall in love with her cousin Lucille. Miscommunications and misunderstandings abound as characters fall into and out of closets until Montdor discovers the silken ladder and demands an explanation. The Silken Ladder is full of Rossini’s youthful musical exhuberance with wonderfully embellished melodies and brilliant orchestral writing.

Sydney Independent Opera’s production of Rossini’s The Silken Ladder is directed by Sharna Galvin and conducted by Steven Stanke and stars Regina Daniel as Julia, Michaela Liesk as Lucille, Whitney Poulsen as Montdor, Raphael Hudson as the suave Blansac, David Visentin as Dorville and Randall Stewart as Sebastian.

Sydney Independent Opera is a chamber group specializing in operas sung in English with chamber orchestra. Rossini’s The Silken Ladder will be staged at the Independent Theatre, Miller St, North Sydney on Friday 21 September (8pm) and Saturday 22 September (8pm). Bookings through the theatre, theindependent.org.au/whats-on/ or ph 1300 302 604.

Dr Steven Stanke – Artistic Director

MIKADO ticket sales now open


Many thanks to all of you who supported our preferential, mail and charity bookings offer last week – as a result, our matinees are quite full already. Don’t forget we have our family evening performance at 6.30pm on October 27 also.

Public ticket sales are now open. We look forward to seeing you at the show.

Regards,
Adam Wilson – EUCMS Publicity

www.eucms.org.au
Eastwood Uniting Church Musical Society Inc. presents
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OCTOBER:
Fri 26 – 8 p.m., Sat. 27 – 2 p.m. & 6.30 p.m.*
NOVEMBER:
Fri 2 – 8 p.m., Sat. 3 – 2 p.m. & 8 p.m.
Fri 9 – 8 p.m., Sat. 10 – 2 p.m. & 8 p.m.

*Please note our family evening showat 6.30pm on 27 October.

TICKETS:
Adults $22
Pensioners $16
Children (16 and under) $12
Students $16 – opening night special

VENUE:
Eastwood Uniting Church Hall
Lakeside Road Eastwood NSW 2122

What’s on September : The Fringe Edition feat. House of Hammers + Sydney Underground Film Festival + Fringe Comedy + so much more!

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Metro Gig Guide Enmore Gig Guide
For tickets & more info visit www.factorytheatre.com.au or 9550 3666

PLUS

BARRY ADAMSON – WED 12 SEP

HOWARD JONES – FRI 14 SEP

KRYSTLE WARREN – SUN 23 SEP

CLARE BOWDITCH – FRI 28 SEP

DILF – SUN 30 SEP

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Short+Sweet: actors, directors and ITCs call out!

Registrations for Sydney now open!

Actors & Directors wanted
Short+Sweet Sydney is producing 160 plays from Jan-Mar 2013. We are looking for more artists to get involved, with room for 160 directors and Independent Theatre Companies and up to 600 actors. Registrations close within a few weeks, so sign up today! Please forward this email to any artists you know who might like to get involved. See here for more details:

You can also see the great ads a bunch of S+S regulars made to promote registrations.

Script entries for Sydney closing soon

Deadline for script submissions to S+S Sydney, Fri 14th Sep 11:59pm
Finally, the script deadline for anyone wanting to enter Short+Sweet Sydney 2013 (as well as three other S+S festivals) is this Fri 14th Sep at 11:59pm. If you’re sitting on a 10 min masterpiece, we want to see it! We will shortlist close to 200 scripts for our festival and we want more work to choose from. To submit, follow this link:

International News

S+S Mumbai finished last week with 30 new works from the subcontinent and beyond. Festival Director Ira Dubey is presenting her second festival. Check out the details in this story from the Mumbai Theatre Guide.

Meanwhile in Malaysia the first ever Short+Sweet Penang opens next week with Executive Producer Joe Hasham and Festival Director Faridah Merican presenting both Dance and Theatre programs. The Kuala Lumpur program (starting next month) has been expanded to include Theatre, Musical Theatre, Dance and, for the first time anywhere in the world – Short+Sweet Comedy featuring 10 local stand-up comedians.
Join the local Facebook page and show your support

Short+Sweet Canberra Update

Short+Sweet Canberra 2012 finished last week with a stunning sold out Gala Final at the Canberra Theatre Centre.

Under the guidance of guest Festival Director Alex Broun, the Festival set new box office records for Short+Sweet in the nation’s capital and delighted audiences with the high quality of acting, directing and writing on show.

Look out for the winners of Short+Sweet Canberra 2012 – Smart Jimmy and Slow Bob and Paradise – at Short+Sweet Sydney 2013!

Masterclasses

FREE Masterclass – Movement & Stage Combat
Over the past two months we’ve been running a FREE Masterclass Series, giving you the opportunity to come and learn from industry experts on a range of topics. The next installment in the Series is our Movement & Stage Combat Masterclass with Scott Witt.

Details:

Date: Mon 24th September 2012
Time: 7pm-9pm
Venue: King Street Theatre, Newtown

Scott Witt has been active in theatre and television for over 25 years and has been acting, adapting, writing, fight directing, directing and or clowning for Sydney Theatre Company, Belvoir, Griffin, Opera Australia, La Boite Theatre, Queensland Theatre Company and many more places. Currently, Scott is the Associate Lecturer in Movement at the National Institute of Dramatic Art.

Registration for our Movement & Stage Combat Masterclass is compulsory and can be done via this link:

Read more about our Masterclass series:

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©2012 Short+Sweet | 31 Princes Highway, St Peters NSW 2044 Australia

2012 Theatresports GRAND FINAL tickets now on sale – Saturday Nov 24, Enmore Theatre

ImproAustralia
Impro Australia News item: 2012 Theatresports GRAND FINAL tickets now on sale – Saturday Nov 24, Enmore Theatre
To view an online version of this newsletter, please visit:
http://www.improaustralia.com.au/dbpage.php?pg=view&dbase=news&id=183

Review: ‘Nunsense’, produced by Rockdale Musical Society

By Erica Brennan

The Rockdale Musical Society has indeed produced a very slick production of Nunsense. Combining light hearted audience interaction and true mastery of musical theatre the audience were treated to arguably the most bizarre nun-themed variety show ever. The cast members were absolutely stellar, each a standout in her own right, and all of them managed some impressive moves despite the restrictive nun habits. A truly crowning moment was a surprise ventriloquist act. I have no idea whether the performer learnt it particularly for the show or it was a special skill of hers, but it was performed effortlessly. Each member of the cast was a well-rounded performer; one even incorporated some impressive ballet moves, and another displayed an excellent command of show girl fans

I will admit to being baffled as to how Nunsense has proved popular enough to have spawned as many sequels as it has (at least four by my count in the program) because the concept of the show is quite painfully ridiculous. It actually came as a surprise to me that that I was able to overcome my doubts and enjoy it, principally due to the fantastic execution of all cast and creatives involved. While there were times when show touched on brilliance, it also included several cringe-worthy moments, such as the characters’ responses to the mass death of their fellow sisters. I just couldn’t reconcile that plot point with the obvious enjoyment and silliness the piece was trying to illicit.

Nonetheless, design, music and performance came together snugly making it easy and enjoyable to watch. I was giggling along with the rest of the audience, applauding enthusiastically after each song and desperate to be called on during the nun quiz.

Go and see Nunsense for a light-hearted night out at a solid performance. Don’t let their habits fool you – little will remain sacred. You may frown and squirm once or twice, but do get ready to be clapping madly for the energetic cast that will hold you spellbound from start to finish.

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